
- 侵食ドルチェ by Kanon Wakeshima
1. sweet ticket
2. 真紅のフェータリズム
3. 鏡
4. still doll (album ver.)
5. マボロシ
6. アンニュイ気分!
7. 砂のお城
8. Monochrome frame
9. L’espoir ~魔法の赤い糸~
10. 黒い鳥籠
11. skip turn step♪
12. 白い心
13. sweet dreams
Released on February 18, 2009 as Kanon’s first major album.
Mana-sama (Moi dix Mois, ex MALICE MIZER) composed the music for the album, making the concept of each song sound like an amusement park in Europe. In which I agree with the whole concept, every piece in this album has a nice dark, fun and European sound to it he has captured that effect quite well.
The album begins with sweet ticket, a smooth and calming cello draws in soon followed up by a drum. Which gave the intro to the album a marching band feel to it, another affect added to this track was the tune of “Suna no Oshiro” lightly in the background making it sound more like a carnival like Mana had envisioned. Soon the tune of “Suna no Oshiro” turns into a strange choir sounding like they came off of a Danny Elfman score >:I The track was very relaxing and a fun to listen to, it kind of puts you in a trance and makes you want to sleep. So don’t listen to at night XD
I love how 真紅のフェータリズムintros with the sound of the cello, making it seem like very dark and the sound makes it feel like the color of the title (Crimson Fatalism). Along with the cello, a dark beat kicks up the feeling making the song more meaningful. Kanon’s unique voice helps carry out the darkness of the song, and lets it flow along
with the beat and cello. The mood I felt while listening to this song was empty, like someone was trying to keep you away from the world or you were keeping something from someone. Another mood swing to this album.
鏡 is a change from dark to light from the last track, this song plays the theme of fairytales. 鏡 is about Snow White, and how grotesque the world truly is within the story. The song starts with a strange beat and intro of a cello and violin making it sound mysterious, Kanon lightened her voice in this song giving more of a innocent touch kind of like a whisper. The chorus is amazingly catchy to me, you will find yourself singing it at times for no reason like Kanon got into your head somehow from Japan.. This track is fun and energetic, although it is really isn’t a happy song but it makes you feel that way with all the sounds throw out there.
still doll is song Kanon is well-known for, this version of still doll starts out with Kanon weakly singing the chorus of the song. Even if that part of the song is changed, the same feel flows from this song dark and vampire-like. Another beautiful cello solo keeps this song interesting and unique, Kanon lowers her voice and holds the notes of the song to keep the edge still doll represents. Soon this song kind of turns creepy when Kanon repeats saying, “Hi Miss Alice” makes her sound like a pedo, but over all this song is insanely addictive to listen to and like 鏡, you will find yourself singing the chorus.
The tone of マボロシ is also cheerful, but really this song is about Kanon being an illusion and not truly being there only a figment of imagination. Which is rather sad, the music makes you think otherwise. The sweet orchestrated sound and the sound of a xylophone begin as the intro. Yes people, I’m serious, for once there is a song with a xylophone! >:I In a way, Kanon’s voice does hint a bit of sadness but the way she sounds next to the music makes it seem like it is a happy Kodak moment. This is one of my favorite songs by Kanon, it is very catchy and upbeat and it holds a lot of meaning behind the music, I find myself singing the ending chorus a lot.
If you ever look at the lyrics for アンニュイ気分!, you’ll wonder what the hell Kanon is actually talking about… I thought she was being random, but she is actually talking about the feeling of boredom and how it makes you think about random things. So in a way, the crack lyrics make since. It is odd how this song begins, the sound of birds chripping outside then a cat meows at the sound of water running and then a phone begins to ring. The intro reminds me of Ringo Shiin
a’s albums.. To follow up on the strange intro is the sounds of bubbles popping, but a cute beat in the background makes the bubble noises less noticeable. Kanon’s voice is kind of poor in some parts of this song, when she makes that whiny voice for no reason, even though she is trying to emphasize she is totally bored out of her mind.. But it really hurts to listen to, some people might mistake the noise for something else.. XD This is not my favorite song, but it is fun sometimes to listen to.
砂のお城 is another song Kanon is known for, but not her most popular song. Castle of Sand is the English title for the song, which makes you think it is all about sand castles.. Not really, if you think deeper about it this song is about being the sand and slowly flying away with time. Which probably makes you think this song is dull and boring, in which is the wrong answer. 砂のお城 is a dark and eery song, the cello is the main part of the song it repeats the same notes in the background making it feel like something is about to build up. A heavy echoing beat makes the song feel like it is dragging you along, the only really annoying part about this song is how Kanon makes her voice weak and quite at the beginning like she was singing her last song.. The song and Kanon would be better off if she didn’t do that, I know she is imitating the feeling of drifting away, but it ruins the feel of the whole intro and let alone the song.
Again Kanon uses sounds to start a song, Monochrome frame has the sounds of the ocean and seagulls making you picture the scene is suppose to be on a beach. I like this idea she went with, it helps explain the songs meaning. With the name Monochrome frame, it makes you think it is going to be a slow song.. It just happens to be very slow and melancholy, the song is meant to be this way Kanon is singing about how the memories of a lover are painful to think about and wants to be drown in the dark blue ocean. The sounds of song are clear, the violin makes the theme of melancholy expand. These sounds make me feel pain and sorrow of the past, but I don’t think I want to drown in the ocean over it.
L’espoir ~魔法の赤い糸~, for those of you that don’t speak either Japanese or French the title in English translates to The Hope ~ Red Thread of Magic~ , so is it about sewing? Strangely, this song is about how Kanon wishes to trap the man she loves with a cherry flavored string and keeping him as a slave to fall into her charm XD Sounds like another episode of Bewitched or some bad magician in Vegas. I like the sound of that, really it is cute. Her voice at the beginning sounds childish and playful because she is saying she wants him to fall for her and be sneaky about it, don’t mistake it as unprofessional. Throughout the song it is upbeat and lively, with the reoccurring sound of the beloved cello, it makes the song seem happy but in a bittersweet sense of happy.
黒い鳥籠 is the very opposite of L’espoir ~魔法の赤い糸~, dark and harsh sounding. This is a hard song for me to get into since, Kanon’s voice is yet again too hard to actually stay with the song and listen. Although her voice is deep and sounds in pain, that is meant for the feeling of the song and she is getting into it. 黒い鳥籠 is about being trapped in a cage like a bird with no escap
e, and struggling against the world. After the beginning part of the song, it became easier to listen to, the sounds of the it are enjoyable and seem to guide the true feelings of no escape. Not really my favorite song, but it does have a catchy chorus which makes up for it.
skip turn step♪ is the best track on this album, it is a happy and sweet song about dancing outside when it begins to rain. That is something most of us can relate to, I’ve been outside in the rain dancing in and out of the puddles it is the better way to spend a rainy day, rather than inside. The track begins with a light sound of the harpsichord and sounds of the cello, suddenly turning into a orchestra. When Kanon begins to sing, the cello follows along with a violin and then a piano. Capturing the true beauty of the rain, the chorus the second time around is the main reason to really stay into the song it turns into something unexpected and is the liveliest track on the album and it isn’t about suicide 8′D
The second to the last track is 白い心, like 鏡 it follows the fairytale theme, but instead of one fairytale Kanon mixes all of the classics together into one song. The beginning of the song sounds sad and gives the imagery of snow falling on the ground, the piano plays a big part within the song giving the tone of great despair and sadness. You may wonder why it sounds that way if it is about fairytales, 白い心 is about not wanting to ruin others’ happiness and being in the way of what they wish, also not being selfish and becoming heartless to others. Being pure of heart is the true theme besides the fairytales. Expect a sad feeling when listening, it isn’t as upbeat as skip turn step♪, it is almost like a ballad.
sweet dreams is the final track to Kanon’s album, instead of cellos as the main instrument her final song is a music box. Like sweet ticket it carries the same tune, but in a sadder way like it is ending forever. This music box is a bipolar sounding, filled with sorrow and suddenly filled with great joy, but in a way endings are always looked at in both perspectives, the best of both.
3 out 5
It is a great album for Kanon’s first, it shows she is dedicated to working with her music, even if she tries to change her voice to match the sounds.. XD She really is talented and needs to work at a few things, but she’ll get there.
RECOMMENDED
真紅のフェータリズム
鏡
still doll
マボロシ
砂のお城
L’espoir ~魔法の赤い糸~
skip turn step♪
白い心